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Projet:Afro-Américains/Bibliothèque

< Projet:Afro-Américains

Ouvrages généraux modifier

  • Pénélope Nour Zang Mba Ondo : « L’autonomisation de la culture afro-américaine dans les arts et médias contemporains. Cas de figures proéminentes : Kara Walker, Michelle Obama et Beyoncé Knowles », thèse de doctorat , http://www.theses.fr/2017CERG0890/abes
  • Bastide Roger. État actuel et perspectives d'avenir des recherches afro-américaines. In: Journal de la Société des Américanistes. Tome 58, 1969. pp. 7-29.DOI : https://doi.org/10.3406/jsa.1969.2095 , www.persee.fr/doc/jsa_0037-9174_1969_num_58_1_2095
  • Bastide Roger. À propos de quelques livres récents sur les Afro-Américains. In: Cahiers d'études africaines, vol. 1, n°4, 1960. pp. 115-124. DOI : https://doi.org/10.3406/cea.1960.3683, www.persee.fr/doc/cea_0008-0055_1960_num_1_4_3683

Rap/Hip-hop et afro-américanisme modifier

  • François-Xavier Hubert, « Ornette : Equality is… something else ! », Volume ! [En ligne], 15 : 1 | 2018, mis en ligne le 05 décembre 2021, consulté le 18 août 2019. URL : http://journals.openedition.org/volume/5801 ; DOI : 10.4000/volume.5801
  • Franck Freitas, « “Blackness à la demande” », Volume ! [En ligne], 8 : 2 | 2011, mis en ligne le 15 décembre 2013, consulté le 18 août 2019. URL : http://journals.openedition.org/volume/2696 ; DOI : 10.4000/volume.2696
  • Christian Béthune, « Le hip hop : une expression mineure », Volume ! [En ligne], 8 : 2 | 2011, mis en ligne le 15 décembre 2013, consulté le 18 août 2019. URL : http://journals.openedition.org/volume/2728 ; DOI : 10.4000/volume.2728

La seconde sélection concerne l'afro-américanité comme identité sociale, culturelle et historique qui va bien au delà de la couleur de peau.

Bibliographie accessible en ligne modifier

  • (en-US) Morgan, Marcyliena, and Dionne Bennett., « Hip-Hop & the Global Imprint of a Black Cultural Form », Daedalus, vol. 140, no. 2,‎ , pp. 176–196 (lire en ligne)
  • (en-US) Wilma J. Henry & Andrea Jackson, « Hip-Hop’s Influence on the Identity Development of Black Female College Students: A Literature Review », Journal of college Student Developement,‎ , p. 237-251
  • (en-US) Awad El Karim M. Ibrahim, « Becoming Black: Rap and Hip-Hop, Race, Gender, Identity, and the Politics of ESL Learning », TESOL Quarterly, vol. 33, no. 3,,‎ (lire en ligne)
  • (en-US) Neena Speer, « Hip-Hop and Black Identity: A Meta-Analytic Review Explaining How Modern Hip-Hop Relates to Black Identity and How It Has Created Signs of Comp », University of Kentucky,‎ (lire en ligne)
  • (en-US) Andreana Clay, « Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity », American Behavioral Scientist Volume: 46,‎ , p. 1346-1358 (lire en ligne)
  • (en-US) Toby S. Jenkins, « A Beautiful Mind:Black Male Intellectual Identity and Hip-Hop Culture », Journal of Black Studies,‎ (lire en ligne)
  • (en-US) Ralph H. Saunders, « Kickin' Some Knowledge: Rap and the Construction of Identity in the African-American Ghetto », Arizona Anthropologist, vol 10,‎ (lire en ligne)
  • (en-US) Alyssa S. Woods, « Rap Vocality and The Construction of Identify », University of Michigan,‎ (lire en ligne)
  • (en-US) Becky Blanchard, « The Social Significance of Rap & Hip-Hop Culture », EDGE,‎ (lire en ligne)
  • (en-US) Vonda Powell, « A social identity framework of American hip-hop cultural performance », Social Identities,‎ (lire en ligne)
  • (en-US) Candice M. Jenkins, « Introduction: "Reading" Hip-Hop Discourse in the Twenty-First Century », African American Review, Vol. 46, No. 1,‎ (lire en ligne)
  • (en-US) Melody T. McCloud M.D., « Black American or African-American? », Psychology Today,‎ (lire en ligne)

Bibliographie complémentaire modifier

  • Alridge, Derrick P. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.” Journal of African American History 90 (Summer 2005): 226-252.
  • Aldridge, Derrick P. and James B. Stewart. “Introduction: Hip Hop in History: Past, Present, and Future.” Journal of African American History 90 (Summer 2005): 190-195.
  • Baker, Houston A., Jr. “Beyond Artifacts: Cultural Studies and the New Hybridity of Rap.” In Ezell, Margaret J. M. and Katherine O’Brien O’Keefee, eds. Cultural Artifacts and the Production of Meaning: The Page, the Image, and the Body. Ann Arbor, MI: University of Michigan Press, 1994. 252 p.
  • Baldwin, Davarian L. “Black Empires, White Desires: The Spatial Politics of Identity in the Age of Hip Hop.” Black Renaissance/Renaissance Noir 2 (Summer 1999): 138-159.
  • Bartlett, Andrew. “Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics.” African American Review 28 (1994): 639-652.
  • Berry, Venise T. “Rap Music, Self Concept and Low Income Black Adolescents.” Popular Music and Society 14 (1990): 89-107.
  • Binder, Amy. “Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music.” American Sociological Review 58 (1993): 753-767.
  • Blair, M. Elizabeth. “Commercialization of the Rap Music Youth Subculture.” Journal of Popular Culture 1993 27 (3): 21-33.
  • Boyd, Todd. Am I Black Enough for You?: Popular Culture from the ‘Hood and Beyond. Bloomington, IN: Indiana University Press, 1997.
  • _____. The New H.N.I.C. (Head Niggas in Charge): The Death of Civil Rights and the Reign of Hip Hop. New York: New York University Press, 2002. 169 p.
  • Chang, Jeff. Can’t Stop, Won’t Stop: A History Of The Hip-hop Generation. New York: St. Martin’s Press, 2005. 546p.
  • _____. “Race, Class, Conflict and Empowerment: On Ice Cube’s ‘Black Korea’.” Amerasia Journal 19 (1993): 87-107.
  • Charnas, Dan. The Big Payback: The History of the Business of Hip-Hop. New York: New American Library, 2010. 660p.
  • Cherry, Myisha V. “It’s Time We do a Collabo.” African American Pulput 10 (Winter 2006-2007): 36-40.
  • Cross, Brian. It’s Not about a Salary– : Rap, Race, and Resistance in Los Angeles. New York: Verso, 1994. 335 p.
  • D., Chuck with Yusaf Jah. Fight the Power: Rap, Race, and Reality. New York: Delacorte Press,c1997. 274 p.
  • Dagbovie, Pero Gaglo. “‘Of All our Studies, History is Best Qualified to Reward our Research.’ Black History’s Relevance to the Hip Hop Generation.” Journal of African American History 90 (Summer 2005): 299-323.
  • Dixon, Wheeler Wilson. “Urban Black American Music in the Late 1980s: The ‘Word’ as Cultural Signifier.” Midwest Quarterly 30(1989): 229-241.
  • Dyson, Michael Eric. Between God and Gangsta Rap: Bearing Witness to Black Culture. New York: Oxford University Press, 1996. 218 p.
  • _____. Holler If You Hear Me: Searching for Tupac Shakur. New York: Basic Civitas Books, 2001. 292 p.
  • Forman, Murray. “Movin’ Closer to an Independent Funk: Black Feminist Theory, Standpoint, and Women in Rap.” Women’s Studies 23 (January 1994): 35+
  • _____. “The ‘Hood Comes First’: Race, Space, and Place in Rap Music and Hip Hop, 1978-1996.” Ph.D. Thesis, McGill University, 1997. 390 p.
  • Gaunt, Kyra D. “Translating Double-Dutch to Hip-Hop: The Musical Vernacular of Black Girls Play.” In Adjaye, Joseph K. and Adrianne R. Andrews, eds. Language, Rhythm, and Sound: Black Popular Cultures into the Twenty-First Century. Pittsburgh, PA: University of Pittsburgh Press, 1997.
  • George, Nelson. Hip Hop America. New York: Viking, 1998. 226 p.
  • Gibbs, Melvin. “ThugGods: Spiritual Darkness and Hip-Hop.” In Tate, Greg, ed. Everything but the Burden: What White People are Taking from Black Culture. New York: Broadway Books, 2003.
  • Gladney, Marvin J. “The Black Arts Movement and Hip-Hop.” African American Review 29 (Summer 1995): 291-301.
  • Gray, Jonathan W. “I’ll be Forever Mackin’: The Social Construction of Black Masculine Identity in Hip Hop’s Platinum Age.” In Juan Battle and Sandra Barnes, eds. Black Sexualities: Probing Powers, Passions, Practices, and Policies. New Brunswick, NJ: Rutgers University Press, 2010, chapter 19.
  • Hall, Perry A. “Hip Hop and the Black Studies Canon”. International Journal of Africana Studies 2010 16 (1): 13-41.
  • Hamilton, Kendra. “Making Some Noise: The Academy’s Hip-Hop Generation.” Black Issues in Higher Education 21 (April 22, 2004): 34-35.
  • Harvey, Bonita Michelle. “Perceptions of Young African-American Males about Rap Music and Its Impact on Their Attitudes Toward Women.” Ph.D. Thesis, University of Massachusetts Amherst, 1999.
  • Henderson, Errol A. “Black Nationalism and Rap Music.” Journal of Black Studies 1996 26(3): 308-339.
  • Hikes, Zenobia L. “Hip-Hop Viewed Through the Prisms of Race and Gender.” Black Issues in Higher Education 21 (August 12, 2004): 66.
  • Hill, Kamasi C. “Voices of Resistance: An Analysis of the Relationship Between the Spirituals & Hip Hop Music.” A.M.E. Church Review120 (October-December 2004): 51-64.
  • Hinds, Selwyn Seyfu. “About Time: Hip-Hop: A Gift Or A Curse?” Savoy 1 (February 2005): 26-28.
  • Jenkins, Toby S. “A Beautiful Mind: Black Male Intellectual Identity and Hip-Hop Culture.” Journal of Black Studies 42(November 2011): 1231-1251.
  • Keeling, Kara. “‘A Homegrown Revolutionary?’ Tupac Shakur and the Legacy of the Black Panther Party.” Black Scholar 1999 29(2-3): 59-63.
  • Keyes, Cheryl L. “Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance.” Journal of American Folklore 113(2000): 255-269.
  • _____. Rap Music and Street Consciousness. Urbana: University of Illinois Press, 2002. 302 p.
  • Kitwana, Bakari. The Hip Hop Generation: Young Blacks and the Crisis in African American Culture. New York: Basic Civitas Books, 2002. 230 p.
  • Krims, Adam. Rap Music and the Poetics of Identity.New York: Cambridge University Press, 2000. 217 p.
  • KRS-ONE. Ruminations. New York: Welcome Rain Publishers, 2003. 263 p.
  • Kunjufu, Jawanza. Hip-Hop vs. MAAT: A Psycho/Social Analysis of Values. Chicago: African American Images, 1993. 151 p.
  • Kuwahara, Yasue. “Power to the People Y’All: Rap Music, Resistance, and Black College Students.” Humanity and Society 16(1992): 54-73.
  • Lang, Clarence. “The New Global and Urban Order: Legacies for the ‘Hip-Hop Generation’.” Race & Society 3 (2000): 111-142.
  • Light, Alan, ed. The Vibe History of Hip Hop. New York: Three Rivers Press, 1999. 418 p.
  • Livingston, Samuel Thomas. “The Ideological and Philosophical Influence of the Nation of Islam on Hip-Hop Culture.” Ph.D. Thesis, Temple University, 1998. 242 p.
  • Lunine, Brij David. “Genocide ‘n’ Juice: Reading the Postcolonial Discourses in Hip-Hop Culture.” In King, C. Richard, ed. Postcolonial America. Urbana: University of Illinois Press, 2000. 361 p.
  • Lusane, Clarence. “Rap, Race, and Politics.” Race & Class 35 (1993): 41-56.
  • McDonnell, Judith. “Rap Music: Its Role as an Agent of Change.” Popular Music and Society 16 (1992): 89-107.
  • McFarland, Pancho. “Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre.” Callaloo 29 (Summer 2006): 939
  • McLeod, Kembrew. “Authenticity within Hip-Hop and other Cultures Threatened with Assimilation.” Journal of Communication 49 (1999): 134-150.
  • Martinez, Theresa. “Popular Culture: Rap as Resistance.” Sociological Perspectives 40 (1997): 265-286.
  • Morgan, Joan. “Fly-Girls, Bitches, and Hoes: Notes of a Hip-Hop Feminist.” Social Text 14 (Winter 1995): 151-57.
  • Morgan, Marcyliena. “Hip-Hop Women Shredding the Veil: Race and Class in Popular Feminist Identity.” South Atlantic Quarterly 104, no. 3 (Summer2005 2005): 425-444
  • Mtume ya Salaam. “The Aesthetics of Rap.” African American Review 29 (1995): 303-315.
  • Muhammad, Jesse. “Hip Hoppers Urged to Reclaim Culture from Exploiters.” The Final Call 23 (14 October 2003): 37-38.
  • Murray, Derek Conrad and Soraya Murray. “A Rising Generation and the Pleasures of Freedom.” In Post-Black, Post-Soul, or Hip-Hop Iconography-Defining a New Aesthetics, special issue, International Review of African American Art 2005 20 (2): 2-11.
  • Nelson, Angela M. S. “The Persistence of Ethnicity in African American Popular Music: A Theology of Rap Music.” Explorations in Ethnic Studies 1992 15(1): 47-57.
  • _____., ed. ‘This Is How We Flow’: Rhythm in Black Cultures. Columbia, SC: University of South Carolina Press, 1999. 160 p.
  • Niesel, Jeff. “Hip-Hop Matters: Rewriting the Sexual Politics of Rap Music.” In Heywood, Leslie, and Jennifer Drake, eds. Third Wave Agenda: Being Feminist, Doing Feminism. Minneapolis, MN: University of Minnesota Press, 1997. 268 p.
  • Ogbar, Jeffrey O. G. “Slouching Toward Bork: The Culture Wars and Self-Criticism in Hip-Hop Music.” Journal of Black Studies 30 (1999): 164-183.
  • Osumare, Halifu. “African Aesthetics, American Culture: Hip Hop in the Global Era.” Ph.D. Thesis, U. of Hawaii 1999. 475 p.
  • Perkins, William Eric, ed. Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press, 1996. 276 p.
  • Petchauer, Emery Marc. “Welcome to the underground”: Portraits of worldview and education among hip-hop collegians.” Ph.D. Thesis, Regent University, 2007. 326 p.
  • Phillips, Layli, Kerri Reddick-Morgan and Dionne Patricia Stephens. “Oppositional Consciousness within an Oppositional Realm: The Cast of Feminism and Womanism in Rap and Hip Hop, 1976-2004.” Journal of African American History 90 (Summer 2005): 253-277.
  • Pinn, Anthony. “‘Gettin’ Grown’: Note on Gangsta Rap Music and Notions of Manhood.” Journal of African American Men 2 (1996): 61-73.
  • _____. “‘How Ya Livin’?’: Notes on Rap Music and Social Transformation.” Western Journal of Black Studies 23 (1999): 10-21.
  • Potter, Russell A. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany, NY: State University of New York Press, 1995. 197 p.
  • Quinn, Michael. “‘Never Shoulda been Let out of the Penitentiary’: Gangsta Rap and the Struggle over Racial Identity.” Cultural Critique34 (Fall 1996): 65-89.
  • Rabaka, Reiland. Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement. Lanham, MD: Lexington Books, 2012. 354p.
  • _____. Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement. Lanham, MD: Lexington Books, 2011. 284p.
  • Ratcliff, Anthony. “The Crisis of the Hip Hop Intellectual”. International Journal of Africana Studies 2010 16 (1): 195-220.
  • Ro, Ronin. Gangsta: Merchandizing the Rhymes of Violence. New York: St. Martin’s Press, 1996. 194 p.
  • Roach, Ronald. “Decoding Hip-Hop’s Cultural Impact.” Black Issues in Higher Education 21 (April 22, 2004): 30-32.
  • Roberts, Robin. “‘Ladies First’: Queen Latifah’s Afrocentric Feminist Music Video.” In Black Women’s Culture, special issue, African American Review 28 (Summer 1994): 245-257.
  • Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press, 1994. 237 p.
  • _____. “‘Fear of a Black Planet’: Rap Music and Black Cultural Politics in the 1990s.” Journal of Negro Education 60 (1991): 276-290.
  • Rose-Robinson, Sia. “A Qualitative Analysis of Hardcore and Gangsta Rap Lyrics: 1985-1995.” Ph.D. Thesis, Howard U. 1999. 181 p.
  • Schloss, Joseph G. “‘Like Old Folk Songs Handed Down from Generation to Generation’: History, Canon, and Community in B-boy Culture.” Ethnomusicology 50 (Fall 2006): 411-432.
  • Sexton, Adam, ed. Rap on Rap: Straight-Up Talk on Hip-Hop Culture. New York: Delta, 1995. 270 p.
  • Shank, Barry. “Fears of the White Unconscious: Music, Race, and Identification in the Censorship of ‘Cop Killer’.” Radical History Review 66 (1996): 124-145.
  • Sharpley-Whiting, T. Denean. Pimps Up, Ho’s Down: Hip Hop’s Hold On Young Black Women. New York: New York University Press, 2007. 187p.
  • Shaw, William. Westside: Young Men and Hip Hop in L.A. New York: Simon & Schuster, 2000. 332 p.
  • Shelton, Marla L. “Can’t Touch This! Representations of the African American Female Body in Urban Rap Videos.” Popular Music and Society 21 (Fall 1997): 107-116.
  • Slovenz, Madeline. “‘Rock the House’: The Aesthetic Dimensions of Rap Music in New York City.” New York Folklore 14 (1998): 151-163.
  • Smith, Christopher Holmes. “Method in the Madness: Exploring the Boundaries of Identity in Hip-Hop Performativity.” Social Identities 3 (October 1997): 345-374.
  • Sorett, Josef. “Beats, Rhymes, and Bibles: An Introduction to Gospel Hip Hop.” African American Pulpit 10 (Winter 2006-2007): 12-16.
  • Spady, James G., Charles G. Lee and H. Samy Alim. Street Conscious Rap. Philadelphia, PA.: Black History Museum Umum/Loh Pub., 1999. 568 p.
  • Stanford, Karin L. and Ronald J. Stephens “More than Just Rap Music: Hip Hop Education, Pedagogy and Scholarship in the Academy”. International Journal of Africana Studies 16 (1): 1-12.
  • Stephens, Ronald Jemal. “Keepin’ It Real: Towards an Afrocentric Aesthetic Analysis of Rap Music and Hip-Hop Subculture.” Ph.D. Thesis, Temple University, 1996. 389 p.
  • Stoute, Steve. The Tanning of America: How Hip-Hop Created a Culture that Rewrote the Rules of the New Economy. New York: Gotham Books, 2011. 290p.
  • Suddreth, Courtney B. “Hip-hop Dress and Identity: A Qualitative Study of Music, Materialism, and Meaning.” Ph.D. Thesis, University of North Carolina at Greensboro, 2009. 136p.
  • Sullivan, Rachel E. “Rap and Race: It’s got a Nice Beat, But What About the Message?” Journal of Black Studies 33 (May 2003): 605-622.
  • Walcott, Rinaldo Wayne. “Performing the Postmodern: Black Atlantic Rap and Identity in North America.” Ph.D. Thesis, University of Toronto, 1996. 266 p.
  • Washington, Michele Y. “Shaping the New Language of Visual Culture.” International Review of African American Art 2005 20(2): 12-15.
  • Watkins, S. Craig. Representing: Hip Hop Culture and the Production of Black Cinema. Chicago: University of Chicago Press, 1998. 314 p.
  • Watts, Eric King. “Reconstituting `the Message’: An Exploration of Double Consciousness in Rap Artistry.” Ph. D. Thesis, Northwestern University, 1995. 261 p.
  • Williams, Frank Douglas. “Rap Music in Society.” Ph. D. Thesis, University of Florida, 1995. 336 p.
  • Williams, Matthew W. “Notes from a Hip Hop Preacher.” African American Pulpit 10 (Winter 2006-2007): 18-21.
  • Willis, Andre. “A Womanist Turn on the Hip-Hop Theme: Leslie Harris’s Just Another Girl on the IRT.” In Adjaye, Joseph K. and Adrianne R. Andrews, eds. Language, Rhythm, and Sound: Black Popular Cultures into the Twenty-First Century. Pittsburgh, PA: University of Pittsburgh Press, 1997. 324 p.
  • Yasin, Jon A. “Rap in the African-American Music Tradition: Cultural Assertion and Continuity.” In Spears, Arthur K., ed. Race and Ideology: Language, Symbolism, and Popular Culture. Detroit: Wayne State University Press, 1999.
  • Zook, Kristal Brent. “Reconstructions of Nationalist Thought in Black Music.” In Dines, Gail and Jean Humez eds. Gender, Race, and Class in Media. Thousands Oaks: Sage Publications, 1995.

Sport et Afro-Américains modifier

Yann Descamps, ’Am I Black Enough for You ?’ Basket-ball, médias et culture afro-américaine aux États-Unis (1950-2015)” https://tel.archives-ouvertes.fr/tel-01555859/document

Le rêve américain au miroir du basket-ball, https://www.monde-diplomatique.fr/2017/06/BRYGO/57564

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